Skulls #1: “Stone Roach”/”Delays on the South Central Line”, Asimov magazine, 2011

Every time I sell a work of fiction, I buy a crystal skull. This is the one that started it.

I’d started sending out flash fiction and poetry, nervously. I’d promised myself that I’d buy something nice the first time I sold something.

I got a rejection slip from Asimov. They’re a big market, hard to crack, especially for a beginning writer. I wasn’t surprised.

Shortly afterwards, I got an e-mail from Asimov.

“Sorry, you haven’t managed to sell those poems, have you?”

I was indeed surprised.

No, I hadn’t, and yes, I was happy to sell them.

I made less than £10 out of it once I’d cashed the foreign cheque (they didn’t do Paypal at the time). I spent the money on Something Nice, namely, a skull necklace I’d had my eye on. I thought it was appropriate; skulls being the house of creativity and symbolic of the characters I’d created.

It also started a trend.

Published by

Professor Fiona Moore

Academic, anthropologist and SF writer, living, teaching and working in a global city.

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