The British Science Fiction Award shortlist is out, and Management Lessons from Game of Thrones is a finalist for Best Non-Fiction!
I feel so unworthy.
If you want to buy Management Lessons from Game of Thrones, or read an excerpt, it’s all in the pinned post here.
I’m really pleased to announce that my short story “The Spoil Heap” is now available to read on Clarkesworld! It’s an optimistic apocalypse story featuring a novel but effective way of getting rid of billionaires using their own tech.
This one has a special connection with Milford Science Fiction Writers’ Workshop. There’s an old slate quarry in front of the venue, Trigonos, and I would run around the spoil heap for exercise while I was attending the writer’s conference. The week after the conference, I had a dream about that spoil heap that caused me to start writing this story. Read on…
No FitzJames and Moyo stories this year (though I have published one, “The Little Friend” in Fission #2), but Management Lessons from Game of Thrones and three short pieces, “Mnemotechnic,” “The Memory Spider” and “The Slow Deaths of Automobiles” are all on the BSFA Award Longlist! And two out of three of those are stories about Things.
Congratulations to all my fellow listees!
It turns out I’m now in the happy position of having no less than three festive short stories available to read for free. And they also fit nicely with the various stages of the holiday! So if you’d like to read my festive fiction over the break, why not:
Christmas Eve: The Island of Misfit Toys
Christmas Day: Misrule
Boxing Day: The Egg Man
I suppose that means I’ll have to come up with something for St Lucia’s Day or Epiphany or something for next year.
By the way, I’m going to be an author guest at an online event for the launch of Maaja Wentz’s new Substack on December 29— see you there maybe?
Just in time for the Twelve Days of Christmas, Luna Station Quarterly have put up an interview with me talking about my festive folk-horror short story “Misrule”. Find out my opinions on social justice, why I like happy endings, and how I was inspired by the movie The Blood on Satan’s Claw: https://lunastationquarterly.com/issue-051-author-interview-fiona-moore-and-misrule/
Earlier this year, readers of this blog may recall, I had an article appear on The Conversation, tying in with Management Lessons from Game of Thrones, entitled “Six models of successful team leadership from Game of Thrones and House of the Dragon.” I mentioned at the time that I’d originally submitted a longer piece. Which, as today is my birthday (legit, it is!) I’m now making available here. Enjoy additional unhinged-Targaryen and charismatic-preacher content!
Eight Paths to Successful Team Leadership from Game of Thrones and House of the Dragon
As anybody who’s ever been in a leadership position knows, no single style fits every situation! In my book Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros, I show how managers can learn from how various characters in Game of Thrones tackled and overcame their leadership and team management problems using strategies that fit their personalities and situations. If you’re struggling with a team management project, here are eight different approaches from Game of Thrones and House of the Dragon that might help you find your perfect leadership style.
Daenerys is a a charismatic leader, someone who inspires others simply by the force of her personality and vision. However, she clearly finds the day-to-day business of management boring and is always looking for new challenges.
In a team management situation, you’d want Daenerys in charge whenever quick and drastic decisions need to be made, and when you need the team to be united and following a specific plan or vision. Bringing a new and controversial product to market on time, for instance, or carrying out a project with a certain element of risk.
2. Jon Snow
Jon Snow is a transformational leader: he excels in bringing out the best in the people around him and seeing organizations through time of change. Transformational leaders don’t generally seek out leadership, but are often just what a struggling organization needs to get back on track.
You’d want Jon in charge when a team is having trouble finding form or purpose, or meeting its established goals. Jon would be the sort of leader who can analyse what the team’s strengths and weaknesses are, can organise it to play to its strengths, and focus it away from the problem areas.
3. Tyrion Lannister
Tyrion is a transactional leader, someone who gains the trust of their supporters by making deals and compromises. While he may not be glamourous and exciting, people trust him always to get the job done.
Tyrion would excel in a situation of day-to-day team management, where there is either a project of indefinite duration, or where the projects renew cyclically. You could see Tyrion heading up an audit team or a tax consultancy: something that needs to be done consistently, reliably and well on a regular basis, with plenty of challenges but no surprises.
4. The High Sparrow
The High Sparrow is a contingent leader, someone who moves into a leadership role from an unexpected quarter at a critical time for the organisation. His idealism and dedication inspires loyalty but he can also find himself at the heart of conflict.
The High Sparrow wouldn’t be the first person you’d put in charge of a team, but he’d be the one who steps in when more conventional leadership fails. He usually comes in from the ranks of the team members and is able to use his knowledge of the team’s internal dynamics to refocus the team and give it a direction. However, you might not want him in charge for the long term, in case his personal agenda starts to replace the organisation’s.
5. Sansa Stark
Because of her gender and her personality, Sansa’s talents are not immediately apparent. She struggles to be accepted in a leadership role, but, when she’s in charge, she’s focused and willing to do whatever it takes to succeed. She takes a long view of success and it generally pays off.
Sansa is the person you want in charge of a team working on a project with long-term objectives. She’s also very good at bringing together people with very different interests and getting them to work together over a period of time, and also at taking difficult decisions and sticking by them. The biggest problem you might have with Sansa is that, if you underestimate her, you might lose her to the competition!
7. Daemon Targaryen
Like his distant relative Daenerys, Daemon is a charismatic leader. He clearly inspires the loyalty of the Gold Cloaks and attracts supporters among his extended family. Daemon is also, however, a toxic leader, thinking little of murder and brutality as ways of achieving his ends.
Strangely, sometimes this kind of leadership can have good results! Daemon clearly achieves a number of victories simply through not caring about what other people think, or through treating other people as assets or obstacles without caring about them as human beings. However, this means that Damon is also not somebody you want in charge for a long period of time. He may be able to deliver necessary shock treatment, but he shouldn’t be allowed to keep on delivering it.
8. Corlys Velaryon
Corlys Velaryon is a pragmatic leader. He does what it takes to get the job done, even when this means making questionable alliances or difficult compromises. At times when others are concerned about short-term pride and prestige, he is concerned about the longer term consequences.
Corlys clearly excels in any situation where there is the opportunity to develop a strategy and see it through, and one where difficult, even painful, decisions might need to be made. He can weigh up costs and benefits rationally, and can choose the most appropriate path, even if it involves difficult alliances or accepting the second best option, with a view to pursuing strategic success over a more extended period.
8. Rhaenyra Targaryen
Rhaenyra provides a good example of what we call “servant leadership”: a leader who puts the needs of the team first and encourages both her followers and her organisation to grow and develops. She accepts that everything she does has to be what’s best for the throne and for her House, and tries to find ways of doing so that make herself and the people around her happy.
Rhaenyra is the sort of person you’d want in charge of any team that needs to develop to meet new challenges, and to stay together while doing so. It’s deeply ironic that she faces so many people opposing her elevation to Queen of Westeros, as she might actually be the most suitable person to lead the country on to greater successes.
Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros is a management textbook with a difference. I examine how characters, organisations and situations in a fictional television series about a fantasy world have, perhaps surprising, parallels to people, organisations and situations in our own world, and how we can learn valuable lessons for our daily working lives from these stories. As well as leadership, the book discusses human resource management, organisation theory, strategy, mergers and acquisitions—and how to manage all of these without resorting to dragonfire!
I’ve got an article on The Conversation, promoting Management Lessons from Game of Thrones and expanding it with a little House of the Dragon content! Please read and share.
The original article was about one-third again as long– and it may well be appearing on this blog in future months. Stay tuned!
Haven’t bought Management Lessons from Game of Thrones yet? Want to check it out first? Here’s a sample chapter to whet your appetite.
The other day I had a question from a work friend who has been reading this series: “do you apply this to your academic writing too?”
Which was unexpectedly revealing. Because, on one level, I don’t. As part of my job, I have to write papers, course outlines, funding applications, and so forth. But I don’t tend to approach it thinking “I’ll do 500 words a day.”
And yet, on another level, I do. The way I get a project done, especially if it’s a big scary one like a monograph, is to tackle it in small chunks, every day. Not “I’ll write 500 words” necessarily, but “I’ll get down to the end of the page,” or “I’ll make notes on one article every day for the next week.” It’s also certainly true that I usually do at least a little academic writing every weekday, though I’ll only do it at weekends if I’m up against an unanticipated deadline.
Which is, however, where the first significant difference applies. When I’m writing fiction, the deadlines are usually self-imposed– or, if they’re imposed from outside, they’re at least ones I’ve got enough advance notice on that I can work towards them. In academic writing, I’m almost always writing to a deadline, and sometimes it’s the sort of deadline that requires more than 500 words a day to complete.
The other significant difference is that my work writing is often a collaboration with other people. This means you have to take other people’s schedules and writing styles into account, and that sometimes doesn’t work with a 500-word-a-day habit.
So I would say that, while the philosophy of Lunchtime Writing can help you write non-fiction or other types of work writing, one generally has to be flexible with its actual execution, and it may need a little more in the way of advance planning than regular Lunchtime Writing.
And I can definitely confirm that, if you’re struggling to begin a piece of work or find that you keep putting it off, that approaching it as if it were Lunchtime Writing is a good way to start and to see it through to completion.
New month, new school term, and not one but two new stories for you to read for free!
Big exciting news today: I have *two* stories out, both available to read for free online! The first is in Clarkesworld (which has the most awesome cover this month), it’s called “The Slow Deaths of Automobiles”, and it’s a story about growing up, moving on and saying goodbye– with self-driving cars.
The second story is in Luna Station Quarterly and it’s a(n early) Christmas story, of sorts, a British folk-horror inspired exploration of the true meaning of Misrule.
Enjoy both stories and please support the publications!
A Doctor Of Many Things 