One thing LEXX consistently does better than any other space opera is to convey a real sense of strangeness about its alien creatures, even if they may look human, and the title character is a good example: just when you start to forget that she’s not actually a human being, but the part of a carnivorous plant that lures in its prey, she does or says something to remind you.
She’s also heavily teased as a replacement for Zev, which might have worked, but the rebirth of Zev as Xev is also given credibility by the fact that it’s Lyekka who re-generates her, using Stan’s memories (so as to explain any physical or character differences with the original).
And then, three astronauts from the planet Potatoho turn up, and before you can say “…and Lyekka’s a potato-ho, get it?” the whole thing has turned into a sort of erotic-horror-comedy version of The Quatermass Experiment. There’s a bit of obvious padding to keep the episode to length, but the body horror/comedy is well done, and the (brief) return of Mantrid sets the stage for future adventures nicely.
The episode name isn’t the only thing they’re ripping off from Blake’s 7 this week, as the crew travel to a medical space station dominated by a psychopath of a surgeon who decides to steal the LEXX as soon as he sees it. There’s some pointed satire about American for-profit healthcare systems from a German and Canadian perspective, and Zev gets one of the funniest lines of the episode, interrupting the villain’s rant about his plans for universal domination with “…can’t we just have sex?” Definitely an improvement on last week’s episode, though still not quite as gloriously bonkers as S1 or S3.
And now, on with the episodic series! Not a promising start to the new season, with an episode with way more length than story (Kai is possessed by His Divine Shadow; Kai attempts to re-embody His Divine Shadow with the aid of Mantrid; Kai fails to do so and His Divine Shadow is still on the loose). Plus, for the story to work, both Xev and Stanley have to not suspect that Kai is possessed by His Divine Shadow, and, given that Stanley at least is paranoid to the max, I find it hard to believe the thought didn’t cross his mind.
On the positive side, the special effects to render the titular character, essentially a sentient floating jar full of organs, really are wonderfully grotesque, the cyborg technology of the LEXX universe is consistently well realised, and the digital sets stand up to scrutiny even today.
Eva Habermann, so good as Zev in the telemovies, is really struggling here, hinting at the behind-the-scenes troubles that will force her off the show in a couple of episodes’ time, and her hair looks like a wig.