Tag: Writing

Worldcon Presentation: Colonialism in The Terror

I’m back! Between attending Worldcon, attending the Royal Geographical Society conference and teaching in Singapore, I’ve been busy of late. As a start on updating you on my activities, I include a video of me presenting my paper “Comparing Colonialisms in The Terror“, contrasting the treatment of colonialism in Dan Simmons’ 2008 novel and AMC’s 2018 adaptation. You can read the draft paper on my Academia.edu site here.

Worldcon 2019 Schedule

If any of you are coming to Worldcon in Dublin next month, here’s where I’ll definitely be:

Academic track: Decolonising
15 Aug 2019, Thursday 15:30 – 16:20, Odeon 6 (Academic) (Point Square Dublin)

1. Natalie Ingram – ‘History Through Fantasy’s Western Window’
2. Professor Fiona Moore – ‘Comparing Colonialisms in The Terror’
3. BE Allatt – ‘Questioning Mononormativity: Love, Sex, and Relationships on McDonald’s Luna’

So you want to write a SFF stage play

Format: Panel
16 Aug 2019, Friday 13:30 – 14:20, Alhambra (Point Square Dublin)

Writing for the stage uses a particular set of skills. What does it take to create a solid script? How does it differ from any other writing process? What special considerations are needed when including science fiction and fantasy elements? Our panellists will share tips and tricks on adapting between mediums for the stage, how to create believable characters, and how to write great dialogue.

Grappling with the post-colonial in SFF

Format: Panel
16 Aug 2019, Friday 17:00 – 17:50, Wicklow Room-1 (CCD)

Over the last 500 years, cultures and histories have been forever altered by colonial expansion. Although many former colonies have gained independence, their peoples still grapple with the effects of colonisation. Can post-colonial SFF help to heal the past? How do post-colonial SFF authors reconcile the many facets of their identities in their work, and what do they want their audiences to know?

Audio dramas and radio plays

Format: Panel
17 Aug 2019, Saturday 19:00 – 19:50, Liffey Room-1 (CCD)

With the rise of paying markets like Big Finish Productions and Audible Theater, a new era in professional audio theatre has dawned. But how do you go about writing or recording an SFF audio drama or radio play – and are they even the same thing? In this suddenly booming industry, where do you start? And what is the demand for this type of work?

Autographs: Sunday at 12:00

Format: Autographing
18 Aug 2019, Sunday 12:00 – 12:50, Level 4 Foyer (CCD)

Carrie Vaughn, Amal El-Mohtar, Dr Anna Smith Spark , Professor Fiona Moore, Gareth Powell, Paul Anthony Shortt

I’ll also be at the NewCon Press book launch on Saturday, 17 Aug 17:30-18:30, room TBA.

Exciting writing news

I just sold a story to Mad Scientist Journal!

Even more exciting news if you liked my novel “Driving Ambition”:

It’s the direct prequel story that I’ve mentioned a few times, covering Liz’s backstory and the unexpected role she plays in the development of sentience among Things.

Not saying any more– but you’ll be able to read it yourself towards the end of the year.

Free short story!

Now, on the Mad Scientist Journal website, you can read my short story “Every Little Star” for free. It’s part of a series which is one part Gerry and Sylvia Anderson to one part Quatermass to one part 1950s lesbian pulp novels– featuring the adventures of a moonbase commander battling terrorism, glass ceilings and post-traumatic stress disorder, through the medium of virtual reality….

I’m writing for the Black Archive

It’s official! Obverse Books’ The Black Archive series, which is a collection of book-length in-depth examinations of every Doctor Who story from 1963 to the present, has announced that I’ll be writing their volume on The Robots of Death, which will be coming out in 2020.
More details closer to the time!